The Black Swan of Paris
A captivating story of estranged sisters reunited by a devastating war and the race to save their mother’s life
Paris, 1944
Celebrated singer Genevieve Dumont is both a star and a smoke screen. An unwilling darling to the Nazis, the chanteuse’s position of privilege allows her to go undetected as an ally to the resistance.
When her estranged mother, Lillian de Rocheford, is captured by Nazis, Genevieve knows it won’t be long before the gestapo succeeds in torturing information out of Lillian that will derail the upcoming Allied invasion. The resistance movement is tasked with silencing her by any means necessary—including assassination.
There may be seven bitter years of distance between Genevieve and her family, but she refuses to let her mother become yet one more victim of the war. Reuniting with her long-lost sister, she must find a way to navigate the perilous crosscurrents of occupied France undetected—and in time to save Lillian’s life.
Deftly portraying the impossible choices faced in wartime, bestselling author Karen Robards vividly illuminates three women’s strength, courage and capacity for unconditional love.
A world at war.
A beautiful young star.
A mission no one expected.
“A truly outstanding novel, brilliantly written, that captured me and held me in its grip from page one. At its heart this story is about family love and the umbilical cords that stretch but never break.”
—Heather Morris, #1 bestselling author of The Tattooist of Auschwitz
“Boldly conceived and richly realized, Robards establishes herself in a single sweep at the forefront of World War II novels with an emotional and powerful tale.”
—Pam Jenoff, New York Times bestselling author of The Lost Girls of Paris
“Beautifully written and completely absorbing… Tension, secrets, and loyalty drive this gorgeous book until the very last page and I was transfixed by each riveting moment.”
—Noelle Salazar, USA TODAY bestselling author of The Flight Girls
“An extraordinarily suspenseful, emotional read—The Black Swan of Paris is a stunning World War II novel that captivated me from the very first page to its breathtaking conclusion.”
—Kelly Rimmer, New York Times bestselling author of The Things We Cannot Say
Also from Karen Robards and MIRA
The Ultimatum
The Moscow Deception
The Fifth Doctrine
For a complete list of Karen’s books,
visit her website, www.karenrobards.com.
THE BLACK SWAN OF PARIS
Karen Robards
Karen Robards is the New York Times, USA TODAY and Publishers Weekly bestselling author of fifty novels and one novella. She is the winner of six Silver Pen awards and numerous other awards.
KarenRobards.com
For my three sons, Peter, Christopher and Jack,
with all my love.
Contents
Quote
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Chapter Thirty-Seven
Chapter Thirty-Eight
Chapter Thirty-Nine
Chapter Forty
Chapter Forty-One
Chapter Forty-Two
Chapter Forty-Three
Chapter Forty-Four
Chapter Forty-Five
Chapter Forty-Six
Chapter Forty-Seven
Chapter Forty-Eight
Chapter Forty-Nine
Chapter Fifty
Chapter Fifty-One
Chapter Fifty-Two
Author’s Note
Acknowledgments
What is the use of living, if it be not to strive for noble causes and to make this muddled world a better place for those who will live in it after we are gone?
—Winston Churchill
Chapter One
May 15, 1944
When the worst thing that could ever happen to you had already happened, nothing that came after really mattered. The resultant state of apathy was almost pleasant, as long as she didn’t allow herself to think about it—any of it—too much.
She was Genevieve Dumont, a singer, a star. Her latest sold-out performance at one of Paris’s great theaters had ended in a five-minute standing ovation less than an hour before. She was acclaimed, admired, celebrated wherever she went. The Nazis loved her.
She was not quite twenty-five years old. Beautiful when, like now, she was dolled up in all her after-show finery. Not in want, not unhappy.
In this time of fear and mass starvation, of worldwide deaths on a scale never seen before in the whole course of human history, that made her lucky. She knew it.
Whom she had been before, what had almost destroyed her—that life belonged to someone else. Most of the time, she didn’t even remember it herself.
She refused to remember it.
A siren screamed to life just meters behind the car she was traveling in. Startled, she sat upright in the back seat, heart lurching as she looked around.
Do they know? Are they after us?
A small knot of fans had been waiting outside the stage door as she’d left. One of them had thrust a program at her, requesting an autograph for Francoise. She’d signed—May your heart always sing, Genevieve Dumont—as previously instructed. What it meant she didn’t know. What she did know was that it meant something: it was a prearranged encounter, and the coded message she’d scribbled down was intended for the Resistance.
And now, mere minutes later, here were the Milice, the despised French police who had long since thrown in their lot with the Nazis, on their tail.
Even as icy jets of fear spurted through her, a pair of police cars followed by a military truck flew by. Running without lights, they appeared as no more than hulking black shapes whose passage rattled the big Citroën that up until then had been alone on the road. A split second later, her driver—his name was Otto Cordier; he worked for Max, her manager—slammed on the brakes. The car jerked to a stop.
“Sacre bleu!” Flying forward, she barely stopped herself from smacking into the back of the front seat by throwing her arms out in front of her. “What’s happening?”
“A raid, I think.” Peering out through the windshield, Otto clutched the steering wheel with both hands. He was an old man, short and wiry with white hair. She could read tension in every line of his body. In front of
the car, washed by the pale moonlight that painted the scene in ghostly shades of gray, the cavalcade that had passed them was now blocking the road. A screech of brakes and the throwing of a shadow across the nearest building had her casting a quick look over her shoulder. Another military truck shuddered to a halt, filling the road behind them, stopping it up like a cork in a bottle. Men—German soldiers along with officers of the Milice—spilled out of the stopped vehicles. The ones behind swarmed past the Citroën, and all rushed toward what Genevieve tentatively identified as an apartment building. Six stories tall, it squatted, dark and silent, in its own walled garden.
“Oh, no,” she said. Her fear for herself and Otto subsided, but sympathy for the targets of the raid made her chest feel tight. People who were taken away by the Nazis in the middle of the night seldom came back.
The officers banged on the front door. “Open up! Police!”
It was just after 10:00 p.m. Until the siren had ripped it apart, the silence blanketing the city had been close to absolute. Thanks to the strictly enforced blackout, the streets were as dark and mysterious as the nearby Seine. It had rained earlier in the day, and before the siren the big Citroën had been the noisiest thing around, splashing through puddles as they headed back to the Ritz, where she was staying for the duration of her Paris run.
“If they keep arresting people, soon there will be no one left.” Genevieve’s gaze locked on a contingent of soldiers spreading out around the building, apparently looking for another way in—or for exits they could block. One rattled a gate of tall iron spikes that led into the brick-walled garden. It didn’t open, and he moved on, disappearing around the side of the building. She was able to follow the soldiers’ movements by the torches they carried. Fitted with slotted covers intended to direct their light downward so as to make them invisible to the Allied air-raid pilots whose increasingly frequent forays over Paris aroused both joy and dread in the city’s war-weary citizens, the torches’ bobbing looked like the erratic flitting of fireflies in the dark.
“They’re afraid, and that makes them all the more dangerous.” Otto rolled down his window a crack, the better to hear what was happening as they followed the soldiers’ movements. The earthy scent of the rain mixed with the faint smell of cigarette smoke, which, thanks to Max’s never-ending Gauloises, was a permanent feature of the car. The yellow card that was the pass they needed to be on the streets after curfew, prominently displayed on the windshield, blocked her view of the far side of the building, but she thought soldiers were running that way, too. “They know the Allies are coming. The bombings of the Luftwaffe installations right here in France, the Allied victories on the eastern front—they’re being backed into a corner. They’ll do whatever they must to survive.”
“Open the door, or we will break it down!”
The policeman hammered on the door with his nightstick. The staccato beat echoed through the night. Genevieve shivered, imagining the terror of the people inside.
Thin lines of light appeared in the cracks around some of the thick curtains covering the windows up and down the building as, at a guess, tenants dared to peek out. A woman, old and stooped—there was enough light in the hall behind her to allow Genevieve to see that much—opened the front door.
“Out of the way!”
She was shoved roughly back inside the building as the police and the soldiers stormed in. Her frightened cry changed to a shrill scream that was quickly cut off.
Genevieve’s mouth went dry. She clasped her suddenly cold hands in her lap.
There’s nothing to be done. It was the mantra of her life.
“Can we drive on?” She had learned in a hard school that there was no point in agonizing over what couldn’t be cured. To stay and watch what she knew was coming—the arrest of partisans, who would face immediate execution upon arrival at wherever they would be taken, or, perhaps and arguably worse, civilians, in some combination of women, children, old people, clutching what few belongings they’d managed to grab, marched at gunpoint out of the building and loaded into the trucks for deportation—would tear at her heart for days without helping them at all.
“We’re blocked in.” Otto looked around at her. She didn’t know what he saw in her face, but whatever it was made him grimace and reach for the door handle. “I’ll go see if I can get one of them to move.”
When he exited the car, she let her head drop back to rest against the rolled top of the Citroën’s leather seat, stared at the ceiling and tried not to think about what might be happening to the people in the building. Taking deep breaths, she did her best to block out the muffled shouts and thuds that reached her ears and focused on the physical, which, as a performer, she had experience doing. She was so tired she was limp with it. Her temples throbbed. Her legs ached. Her feet hurt. Her throat—that golden throat that had allowed her to survive—felt tight. Deliberately she relaxed her muscles and tugged the scarf tucked into the neckline of her coat higher to warm herself.
A flash of light in the darkness caught her eye. Her head turned as she sought the source. Looking through the iron bars of the garden gate, she discovered a side door in the building that was slowly, stealthily opening.
“Is anyone else in there? Come out or I’ll shoot.” The volume of the soldiers’ shouts increased exponentially with this new gap in the walls. That guttural threat rang out above others less distinct, and she gathered from what she heard that they were searching the building.
The side door opened wider. Light from inside spilled past a figure slipping out: a girl, tall and thin with dark curly hair, wearing what appeared to be an unbuttoned coat thrown on over nightclothes. In her arms she carried a small child with the same dark, curly hair.
The light went out. The door had closed. Genevieve discovered that she was sitting with her nose all but pressed against the window as she tried to find the girl in the darkness. It took her a second, but then she spotted the now shadowy figure as it fled through the garden toward the gate, trying to escape.
They’ll shoot her if they catch her. The child, too.
The Germans had no mercy for those for whom they came.
The girl reached the gate, paused. A pale hand grabbed a bar. From the metallic rattle that reached her ears, Genevieve thought she must be shoving at the gate, shaking it. She assumed it was locked. In any event, it didn’t open. Then that same hand reached through the bars, along with a too-thin arm, stretching and straining.
Toward what? It was too dark to tell.
With the Citroën stopped in the middle of the narrow street and the garden set back only a meter or so from the front facade of the building, the girl was close enough so that Genevieve could read the desperation in her body language, see the way she kept looking back at the now closed door. The child, who appeared to be around ten months old, seemed to be asleep. The small curly head rested trustingly on the girl’s shoulder.
It wasn’t a conscious decision to leave the car. Genevieve just did it, then realized the risk she was taking when her pumps clickety-clacked on the cobblestones. The sound seemed to tear through the night and sent a lightning bolt of panic through her.
Get back in the car. Her sense of self-preservation screamed it at her, but she didn’t. Shivering at the latent menace of the big military trucks looming so close on either side of the Citroën, the police car parked askew in the street, the light spilling from the still open front door and the sounds of the raid going on inside the building, she kept going, taking care to be quiet now as she darted toward the trapped girl.
You’re putting yourself in danger. You’re putting Otto, Max, everyone in danger. The whole network—
Heart thudding, she reached the gate. Even as she and the girl locked eyes through it, the girl jerked her arm back inside and drew herself up.
The sweet scent of flowers from the garden felt obscene in contrast with the fear and despair she sensed
in the girl.
“It’s all right. I’m here to help,” Genevieve whispered. She grasped the gate, pulling, pushing as she spoke. The iron bars were solid and cold and slippery with the moisture that still hung in the air. The gate didn’t budge for her, either. The clanking sound it made as she joggled it against its moorings made her break out in a cold sweat. Darkness enfolded her, but it was leavened by moonlight and she didn’t trust it to keep her safe. After all, she’d seen the girl from the car. All it would take was one sharp-eyed soldier, one policeman to come around a corner, or step out of the building and look her way—and she could be seen, too. Caught. Helping a fugitive escape.
The consequences would be dire. Imprisonment, deportation, even death.
Her pulse raced.
She thought of Max, what he would say.
On the other side of the gate, moonlight touched on wide dark eyes set in a face so thin the bones seemed about to push through the skin. The girl appeared to be about her own age, and she thought she must be the child’s mother. The sleeping child—Genevieve couldn’t tell if it was a girl or a boy—was wearing footed pajamas.
Her heart turned over.
“Oh, thank God. Thank you.” Whispering, too, the girl reached through the bars to touch Genevieve’s arm in gratitude. “There’s a key. In the fountainhead. In the mouth. It unlocks the gate.” She cast another of those lightning glances over her shoulder. Shifting from foot to foot, she could hardly stand still in her agitation. Fear rolled off her in waves. “Hurry. Please.”
Genevieve looked in the direction the girl had been reaching, saw the oval stone of the fountainhead set into the brick near the gate, saw the carved lion’s head in its center with its open mouth from which, presumably, water was meant to pour out. Reaching inside, she probed the cavity, ran her fingers over the worn-smooth stone, then did it again.
“There’s no key,” she said. “It’s not here.”
“It has to be. It has to be!” The girl’s voice rose, trembled. The child’s head moved. The girl made a soothing sound, rocked back and forth, patted the small back, and the child settled down again with a sigh. Watching, a pit yawned in Genevieve’s stomach. Glancing hastily down, she crouched to check the ground beneath the fountainhead, in case the key might have fallen out. It was too dark; she couldn’t see. She ran her hand over the cobblestones. Nothing.